Tuesday, March 5, 2013

F*cking Up: Dating Strategies for Maximum Class Mobility and their Potential Pitfalls


        Although the United States we are in the new millennium has overcome many social barriers, there is still prejudice and sexism in society today. Sexual harassment in the workplace, although being cracked down on by law, managerial and business codes, it is still prominent and makes it very hard for a woman to be successful in the workplace. Stereotypes, biases, and prejudices consistently get in the way for women, and as a result, women have had to come up with various strategies to get ahead in modern society. One way is to marry above one’s own social class for financial gain and class mobility.
There have been numerous examples in popular culture of women using men as a springboard for their own success, whether it is intentional or unintentional. Take the Grimm fairy tale Cinderella for example. Most everyone knows the story of the poor ‘Cinder’ girl whose cruel and abusive stepmother refuses to let the girl go to a festival being hosted by the local prince, for fear she will marry him, and instead endorses her own two daughters in wedding the prince. In fact, one of the stepdaughters is willing to do anything to fit the shoe Cinderella wore and become wealthy, even when “her mother gave her a knife and said, ‘Cut the toe off; when thou art Queen thou wilt have no more need to go on foot’” (Grimm).  The level of desperation, although somewhat exaggerated, shows the steps women are willing to take to advance themselves socially, including cutting off one’s toes. Every eligible woman who attended that ball, and tried on that shoe was there to advance themselves from simple peasants to royalty. None of these women knew, or had even met the prince, but were willing to try and impress him for a hand in marriage. Therefore, acquiring a man’s wealth and property through marriage is an acceptable and successful way to improve one’s current standard of living and social class. This message is portrayed to young girls who either read an adaptation in a children’s book, see it re-enacted in a cartoon or movie, or from being told the story directly. Women are raised to think in this mind-set, so naturally women are bound to act on it.
Children are not the only ones who are fed this ‘get-rich-quick’ scheme. Adult women reading romance novels are getting the same ideas, though perhaps not as subtly. Jeanne Dubino, an English professor at Plymouth State College, writes about the effects of different romance novels on many types of women, and at the core of all of these novels is the same idea. She writes, “All varieties of the romance contain the pattern of ‘heroine gets rich through love’” (103). In general, women are surrounded by this idea from the moment they learn to read up until they read to escape their own realities, affecting the way they see relationships and marriage as a whole.
Of course most people want to fall in love and marry a spouse that they feel attracted to and can look to as an equal partner for the rest of their lives…but wouldn’t it be grand to find that person, and they just so happen to have the financial security to take care of you for the rest of your lives? In the hit single, “Ain’t Nothin’ Goin’ On But the Rent” by Gwen Guthrie, she proclaims that there is “no romance without finance”. This suggests that if all you’ve got is love, then that isn’t going to be enough to keep the two of you together. Love doesn’t pay the rent or buy groceries, and there has to be some sort of financial income. Love is not all you need.
            But what if you don’t seek to marry that person? Dating can be just as successful with one’s own advancement in modern-day society. A couple of lunch dates and intimate get-togethers with one’s boss can either boost your career by receiving unfair benefits and advantages over fellow co-workers in exchange for your company, or it can ruin your reputation in the workplace and ruin your career. For example, say a female secretary works for a male CEO of a large corporation. If this hypothetical secretary were to be sexually involved with her boss, and was given bonuses based solely upon their personal interactions, and somehow this information was spread to the secretary’s fellow co-workers, this would prove to be a poor choice. Rumors carry easily and if this woman’s unprofessionalism spreads to other companies, then if for some reason her boss lets her go or lays her off, it would be difficult to find another job.
            Ruining one’s career and reputation are a trade-off and gambling piece. Although marrying into wealth or dating to get to the top seem like easy and fool-proof methods to success, there are several negative consequences; the first being that there is the issue of morals and values. If a woman feels it is necessary to pursue a man she does not love purely for financial gain, one must wonder about the conscience and overall happiness of that woman. To be willing to sacrifice the option of a mutually loving and caring marriage for financial security, there are definite psychological effects, not to mention the effects of their children (if any). Children pick up on the moods and emotions of the parents towards each other, and children raised in a hostile environment are more likely to have social and psychological problems later in life (Buehler, Krishnakumar, & Anthony 1994). Although the negative aftermath of such choices are clearly evident, if money and social standing are what is important to oneself, then these options can (somewhat) guarantee a financially successful life.  
So whether it be a marriage into a wealthy family, or a rendezvous with a CEO, it is pretty clear that dating and marrying above one’s own social standing is a good way to get a woman in 2012 where she wants to be. Skip past the sexual harassment of the workplace, fast forward through the expensive and stressful years of college, and go for the gold. Dig if you must, as long as you get what you want.
           





Works Cited
Buehler, Cheryl, Ambika Krishnakumar, and Christine Anthony. "Hostile Interparental Conflict And Youth Maladjustment." Family Relations 43.(1994): 409-416. Education Full Text (H.W. Wilson). Web. 4 Nov. 2012. 
Dubino, Jeanne. "The Cinderella Complex: Romance Fiction, Patriarchy and Capitalism." Journal of Popular Culture 27.3 (1993): 103-118. Academic Search Premier. Web. 28 Oct. 2012.
Guthrie, Gwen. "Ain't Nothin' Goin' On But the Rent." Rec. 1985. Ain't Nothin' Goin' On But the Rent. Vinyl recording. 1986.
Grimm, The Bros. “Cinderella”. NationalGeographic.com. National Geographic Society. 1999. Web. 28 October 2012. 

A Scene From the Memoir I Am Not Writing


           I took a  breath before dialing my home phone number into my cellphone. I checked the clock again -10 a.m. as we agreed- and felt relieved that I was calling on time.
           
I could hear the other line buzzing as I grabbed my yellow notebook and pen off Alex’s desk, shuffled through our bedroom covered in clothes and trash, and sprinted through the dining room to avoid the demonic cat that lurked under the dining room table.

As I passed Alex drinking his buttered toffee coffee in the kitchen, I had my phone pressed to my ear, and he gave me a look. I mouthed “my dad” to let him know who I was calling. I hated having to explain whom I was talking to with my boyfriend. I knew I was going to get bombarded by his questions demanding every detail of my phone conversation with my own father. Paranoia was Alex’s middle name, so I could sense him freaking out about what I could be saying about him while on the phone, and I resented his less-than-trusting nature.  
After making my way through the crammed obstacle of a house I lived in with Alex, his mom, and his younger sister, my Dad picked up the phone just as I got to the basement, where I could escape and have some privacy.
“Hello?”
My Dad sounds as though he answers phones for a living, and picking up a call on a day off exhausts him immediately. Being an artist , and painting contemporary abstractions, this isn’t the case, but how he can always sound so tired from answering the phone amazes me.

“Hey Dad” I answered, “How are things at home?”
“The same as the last time we talked. Are you still taking your meds?”

He was referring, of course, to my medication Adderall, which I take for ADD. It’s a bit of a Catch-22 since ADD can cause forgetfulness, and the meds help with that, but if you forget to take the meds, how can you remember without them? Even now that I am no longer living with a boyfriend in his mother’s neglected house, and in college, my Dad still asks about my meds. They are necessary for me accomplishing just about anything.

“Yea, I’m still on top of them, I just forget the afternoon ones sometimes” I reassured him.

My Dad cut right to the chase.

“Well, Rachel, you seem to be calmer and in a better state of mind this morning. Are you ready to talk to me and not get upset or angry?”

Of course I am that’s why I called! I thought, but I knew that talking like that would only aggravate him and make him think I was copping an attitude.

I tried to sigh as subtly as possible. 

“Yea, I’m ready. I guess I’m just nervous I’m not going to be able to come up with some good reasons about why you should let me come back home.”

“Well, you’ve had all week to think about it and come up with some good answers” he said.

This early in the phone call, and I was tired of it, fidgety, and anxious to hang up. I hadn’t even brought up any points and I was struggling to pay attention. I just wanted to go back to bed and sleep away my problems.

I could smell the moldy dankness of the poorly refinished half of the basement I was in. I loathed this garbage hole behind Railroad Ave. I despised the neighborhood that looked quaint during the day, but where people were stabbed at night. I was tired of smelling like cigarette smoke from Alex’s chain-smoking mother. I missed my younger sister Claudia, and above all I was scared for my future. Out of high school, not in college, working at a grocery store…I did not want that future.  Staring at my blue bike Alex had shoved hap-hazard in the corner, I forced my brain to get over it and try to talk to my dad.  I wanted to go home and move on, and I knew that I had to.

Notes on ‘Dude’: an exploration of a word à la Sontag


1. Dude is slang for:
     a. A man excessively concerned with his clothes, grooming, and manners.
     b. A fellow; chap.
     c. A general term of address used to a man, woman, or group).
     d. A person reared in a large city.
     e. An urban Easterner who vacations on a ranch.
            It is also important to note that Dude can also be used as an exclamation, with a wide variety of meanings based on the tone, pitch, cadence, and facial expression used by the speaker.
2. The Dude attitude is one of a lackadaisical, irresponsible, passive individual when used in the context of an individual in the 1970s; namely the surfer. However, when looking at Dude in terms of its older definition, it is derived from the well dressed, overly meticulous when it comes to apparel, manners, and grooming, especially for wealthy property owners or city slickers that owned land in the Mid-West.
3. Dude is not only a way of identifying a specific person or group, but also there are characteristics, or characters rather, that have the “Dude” mentality. These characters are more prevalent in 1980s and 1990s teen comedy movies, but also appear in more sophisticated cinema. The Dude lifestyle can be seen as a laid-back lifestyle, with a hint of slacker spice.
4. Some examples defining, pontificating, and emulating Dude, in no particular order:
Joel and Ethan Coen’s The Big Lebowski
Surfing
Cheese in a can
Skateboarding
Males with long hair
Males with long hair who consistently touch their hair with the occasional head-         shake to fix their hair
The State of California
Marijuana
Snowboarding
Boarding school dropouts
Teenage boys
Teenage male athletes after consuming alcohol
A girl that is close friends with a boy, i.e.-‘one of the boys’
Doritos
Woven hemp wristbands
Lava lamps
Tie dye
Oversize flannel shirts
No shirt
Beanbag chairs
Drool
Anything described as ‘gnarly’
Beaches
Chamomile tea
Open-toed Jesus sandals
No shoes
The electric guitar
Air guitar
Dude, Where’s My Car?
Cowboy boots
Cattle ranches
Chicken bacon ranch pizza
Expensive pants
No pants
5. A Dude can have a taste in art, but the ‘taste’ being referred to is altogether a delusion on the Dude’s part. In other words, most Dudes do not have any prior knowledge of art.
6. Art is selected based on either visual distraction (stimulation) or reputation.
7.  An example would be to select a ‘trippy’ tie-dye illustration or painting, because of its colorful, distracting quality.
8. Another example would be for a Dude to select an artwork that is made by a world-renown artist such as Pablo Picasso, Salvador Dali, or Vincent Van Gogh. This artists particularly because of their unique and again, ‘trippy’ styles of painting.
9. Still nothing is known about the work, only that it is said to be great, therefore making the Dude’s taste in art spectacular.
10. It does not matter if it is a strong piece of art, or cliché pieces of rubbish; if a Dude is distracted, then they are convinced.
11. It is merely by means of strengthening their egos that Dudes purchase art, if at all.

12. Some might say, “If you’re a Dude, you’re Dumb.” 
13. When referring to a Dude or speaking in a Dude manner, one assumes the Dude affiliate to be less intelligent than the average person. To be Dude is to not be the sharpest tack in the box, the brightest bulb in the lamp, or the quickest fish in the brook.
14. All Dude paraphernalia, phrases, and ways of life at least somewhat immature. A youthful essence, if you will. Even old Dudes classify due to the lack of mature list of priorities and accomplishments. Dudes are either not yet grown up, meaning they are still teenagers or young adults, or they never will grow up, and their minds stay childish.
15. Dude is to push away worries such as education, benefiting society, money, and the expiration date on milk. In return for this lifestyle, Dudes do not reap the benefits of a quality education, and speak slower, think slower, and feel most at ease when chill.
16. When Dudes speak, it is in order to draw out a word for emphasis. It is not a sweet car, it is a sweeeet carrrr.

17. The history of dude is an uncertain one, though there are many theories. One such theory is that the word is derived from the word ‘dud’, as in, “My, that cowboy has a sweet pair of duds. I wish I dressed that well!” when referring to nice clothing. The term was then later used in the 1920s to describe a dude ranch, which is a cattle ranch where rich men would vacation and pretend to be rough n’ tough cowpokes living on nothing but beef jerky and their own sweat, never tears. In reality however, these wealthy men never wanted to get dirty or ruin their clothing, hence their ‘duds’ on a ‘dude’ ranch. Somehow, the general surfing population decided to add the word to their expansive vocabulary, and thus Dude was born. Dude is then later used by a plethora of adolescent youth; namely male, sometimes smoking reefer, almost always awkward with ladies.
18. There is an almost innocent aspect to Dude, mainly because of its childish and immature nature. If a Dude were to be for the sake of discussion, under the influence of LSD, and having a bad experience, one would either laugh or try to comfort the shaking and scared Dude. Depending on the personality of the observer, of course.

19. There are several ways that Dude can be interpreted when used as an exclamation: in awe, surprise, appreciation, anger, sadness, disgust, disappointment, shock, disapproval, sympathy, excitement, reproving, etc.
20. Here are some examples I have created for further understanding:
21. Reproving: “Hey man, I hope you don’t mind that I got tapioca on your brand-new bowling shirt.” “Dude...”
22. Excitement: “Dude! I just won a new pair of scissors on the radio! Sick!”
23. Anger: “Dude! What the eff, man? That’s my mom!”
24. Sympathy: “Yo, you are not going to believe this bro, but I lost my front-row seat ticket for Creedence tomorrow.” “Dude. Bummer.”
25. Awe: “Dude. That chick has got the wine in the bottle, if you know what I mean.”
26. Disgust: “And then he had the nerve to use that cheesy wine bottle pick-up line on me!” “Dude, that’s ridiculous!”
27. Shock: “Dude! No way! I bought a new VCR too!”
28. Appreciation: “You traded your car for a brand-new bong? Dude...You are a lucky man.

29. Males are not the only ones who use the term Dude. Although not as conventional, female use of the term Dude is on the rise.
30. According to a survey done by noted dudeologist Scott F. Kiesling, females use Dude twice as much towards other females than they do towards males (283).

31 Other variations of Dude have surfaced since the word was first used. Among them are bro, chum, son, bud, buddy, man, kid, etc.
32. To be a Dude, one must not be afraid to sound stupid.
33. The hallmark of Dude is to not care about anything except for what you are eating, and if you are cold, warm, or sleepy.

34. What is not Dude, but is rather close are those that are referred to as hippies.
35. Hippies are not Dude because of the element of love.
36. Dude does not love. Dude just chills.
37. To chill is to just be with the present moment and not judge it or fight it, but accept it.

38. There are two types of Dudes: active and inactive.
39. The active Dude skates, surfs, or snowboards. The inactive Dude surfs the TV.
40. MTV is usually the channel of choice, namely for the music videos.

40. Cheese products are for the most part a very important aspect of Dude living. Perhaps it is because cheesy foods are commonly used to reference foods associated with the munchies.
41. The munchies is a period of time which occurs after a person is under the influence of cannabis, wherein the consumer will have the ability and desire to eat large quantities of food that he otherwise would not be able to keep down.
42. Dudes are often associated with pot, causing them not to function in a completely focused, alert, or active way.

43. Dude is a middle finger so to speak, to the capitalist, money grabbing and fast-paced society that we live in today.


“The Dude abides”- Jeffrey Bridges as his character ‘The Dude’ in The Big Lebowski  
44. In the Coen Brothers movie The Big Lebowski, the ‘hero’ is a man known simply as ‘The Dude.’
45. No other movie has exploited the stereotypical image of Dude as much as The Big Lebowski.
46. The Dude’s clothes are a bathrobe, boxers, a t shirt, a sweater, and the occasional bowling shirt and sunglasses.
47. The Dude’s manner of speech is limited, although he can be surprisingly verbose at times.
48. The Dude’s lifestyle- sleeping, baths with candles, listening to music, and bowling
49. The Dude’s diet i.e. - joints, beer, coffee, and White Russian (a cocktail of vodka, cream, and Kahlúa)
50. In The Big Lebowski, the Dude is tossed about in a never-ending situational cyclone, devoid of any control. All that The Dude wants in life is to smoke his marijuana, drink his White Russian, listen to Creedence, and spend time with his friends bowling. He is happy to live life simply and without anger, grudges, confrontations, or mishaps.
51. No matter what ridiculous situation The Dude is put into, or how many people are chasing him for his life, The Dude abides, and carries on to seek his simple pleasures.
52. Despite the ignorant or unintelligent appearance and manner of The Dude, the character is really quite complex and can be interpreted in different ways.  
53. Thus The Dude can be interpreted as having a likeness to a Zen or Buddha figure, so to speak; what matters most to the Dude in life stays consistent regardless of the negative happenings which are out of his control. He creates his own happiness, and is accepting and comfortable with who he is as an individual.
54. Another interpretation of The Dude is that of a schlemiel figure. Schlemiel is a Yiddish word meaning, “an awkward and unlucky person for whom things never turn out right.”
55. As previously mentioned in Note no. 44, The Dude is reserved in that he does not control his surroundings, and would rather stay at home and be comfortable than be out stirring trouble or causing problems. In “The Dude As Modern Hero? Salvation And Jewish Storytelling In The Big Lebowski,” Eitan Kensky writes about this submissiveness. He writes, “It is partly this passivity that characterizes the Dude as schlemiel” (8). This seems to be a fairly accurate perception, seeing as The Dude is a likable character who is always getting shoved, pushed, hit, and toilet head-dunked, without any way to halt the attacks that life seems to be throwing at him.
56. However, Kensky also writes that this “schlemiel role…is only a part of his character and not the essential element” (9). This may not be completely correct, for without The Dude completely drenched in the role of the schlemiel, the entire film would lack structure and cohesion. There would be no way to transition between plotlines; no means of unity that helps the viewer understand the relationships between subjects and characters.
57. In the end, The Dude brings a different background and history to the meaning of ‘Dude’, one deriving from Jewish storytelling, and influences the way Dude is used and thought of henceforth.
58. The term Dude has affected society and adolescents in a way that has made the English language more personal, more accessible, and more sweet, dude.

Works Cited
Ashe, Fred. "The Really Big Sleep: Jeffrey Lebowski as the Second Coming of Rip Van Winkle." The Year's Work in Lebowski Studies. 41-57. Bloomington, IN: Indiana UP, 2009. MLA International Bibliography. Web. 26 Oct. 2012.
The Big Lebowski. Dir. Joel Coen. Perf. Jeff Bridges, John Goodman, and Julianne Moore. Working Title Films, 1998. DVD. 
"dude." Collins English Dictionary - Complete & Unabridged 10th Edition. HarperCollins Publishers. Web. 12 Oct. 2012
"dude." Dictionary of Contemporary Slang. London: A&C Black, 2007. Credo Reference. Web. 12 October 2012.
"duds." Dictionary of Contemporary Slang. London: A&C Black, 2007. Credo Reference. Web. 12 October 2012.
Hill, Richard A. "You've Come a Long Way, Dude: A History." American Speech. 69.3 (1994): 321-327. JSTOR Arts & Sciences III. Web. 26 Oct. 2012.
Kensky, Eitan. "The Dude as Modern Hero? Salvation and Jewish Storytelling in The Big Lebowski." Americana: The Journal Of American Popular Culture (1900-Present). 9.1 (2010): MLA International Bibliography. Web. 12 Oct. 2012.
Kiesling, Scott F. "Dude." American Speech. 79.3 (2004): 281-305. Communication & Mass Media Complete. Web. 12 Oct. 2012.
  "schlemiel." Collins English Dictionary - Complete & Unabridged 10th Edition. HarperCollins             Publishers. Web. 19 Oct. 2012.
    "white russian." Collins English Dictionary - Complete & Unabridged 10th Edition.             HarperCollins Publishers. Web. 19 Oct. 2012.

The Worst Song I Ever Loved


It was the summer time: school was out, and at 13 years old I would spend all day bored in our hot house. Summers were always so boring, and my sister Claudia and I would have to come up with our own entertainment, since we only had a certain amount of TV a day. One day in particular, I remember my dad playing the Dr. Demento CD for my sister and I in our family room. Dr. Demento is a radio personality with his own radio show, and he played silly, ridiculous, funny, and sometimes strange songs.  We loved the CD, and soon brought it with us on long car trips, laughing and sometimes snorting, when one song was funnier than the last. Claudia’s favorite song on the album was “Gimme That Thing”, because of it’s silly falsetto lyrics and ragtime swing, and although I really liked the song “Amos Moses” due to its funny narrative and twanging guitar riffs, “Fish Heads” was the song my sister and I both obsessed over.
Back then, all those summers ago, I felt so cool and proud to know all the words to the song, and I pressed the repeat button on my little purple boom box without shame. Now if I happen to hear the song or it gets stuck in my head, it is beyond irritating. I now feel that the song is so bad, I can never mention it to any people that I regularly associate with. But what brought about this complete turnaround in opinion about “Fish Heads”? What is behind the solid, matter-of-fact opinion that this is now a “bad” song? To find out, several ideas need to be explored.
The first idea is expressed in the following article’s title: “What is Bad Music” by Simon Frith. Simon Frith writes that bad music is really a matter of taste, production, the societal background of the listener, and the history behind the music. In other words, bad music is not necessarily “bad,” it is merely judged or viewed as bad by the listener. This might mean that any piece of music could be categorized as “bad” music, if in fact the listener has the experience to deem it as such. I know that I realized that I no longer liked the song when I was listening to my mp3 player, and automatically skipped the song when it came on. I have found that the same situation is present for other songs from the Dr. Demento Radio Show. Songs that I used to love annoy me and I have no interest in listening to them at all.
             However, it is hard to ignore popular taste or demand, because if a majority of the population views a song as good, there may be some truth to it. In an interview with Billboard magazine, Dr. Demento (whose real name is Barry Hansen) states, “I've played 'Fish Heads' for 22 years and still get dozens of calls every week. So things on my show have a lifespan even if they're funny." Although I look back at my “Fish Head” obsession with a wince and a red face, many people are working to keep the fish heads “alive,” so to speak. Perhaps what the question really is, is whether music can really be judged good or bad by anyone, or is there a direct authority on the matter?
But what if a song is meant to be bad? What if the attraction to or novelty of the song is for it to be humorous or comical? In “Humor, Fun and Novelty in Song” Carl Swanson describes the ways a song can be funny. “[These] songs, just like any comedic performance, take many forms: intended, unintended, silly, novel, parody, subtle, broad, urbane, bawdy, witty, satirical, slapstick, or dry. Indeed, just about any song can be performed in a humorous way. Songs that were written to be serious can become humorous when the singer adds props, facial nuances, or other nonmusical features.” So, how long until these types of songs lose their novelty? When is a “funny” song no longer funny? To answer this, we must first know what does make a “funny“ song funny. Peter Kay explains the process in a matter of sentences.  He writes, “Amusement arises from our realization that we are confronted with a situation or outcome that we have not previously considered possible…Also, the situation or outcome must not be so similar to our previously established pattern that it goes without significant notice–that it evokes some level of surprise. Amusement does not imply comprehension. Instead, it is the pleasant feeling born from the discovery of possibilities.”
That being said, it is safe to say that when a song no longer surprises us, is no longer new, exhausts the possibility for any new discovery,  it becomes predictable, and we no longer find the song amusing or funny. Simon Firth also refers to these types of “funny” songs, in which he states, “Bad music here means essentially ridiculous music…tracks that feature sound gimmicks that have outlived their charm or novelty.” From playing the song over and over, I ruined the song for myself, thus judging it as a “bad” song, which I no longer find funny.  In other words, bad music is not necessarily “bad,” it is merely judged or viewed as bad by the listener.


Work Cited
Bessman, Jim. "Dr. Demento Marks 30 Years Of Funny Music With Rhino Set." Billboard 112.9 (2000): 11. Academic Search Premier. Web. 21 Sept. 2012.
 Kay, Peter.  “Music and Humor: What's So Funny?”
Music Reference Services Quarterly. Vol. 10.  Iss. 1, 2006
Swanson, Carl. "Humor, Fun, And Novelty In Song." Journal Of Singing 66.3 (2010): 319. Supplemental Index. Web. 21 Sept. 2012.